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Elyn Zimmerman: Sculpture

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- The most comprehensive and complete publication of Zimmerman's work to date- Shows the artist's work and process in full visual detail with 156 color plus 16 halftone illustrations- Features three essays by leading scholars, an in-depth interview with the artist, an exhibition history, artist chronology, and bibliography- Published on the occasion of the major exhibition - The most comprehensive and complete publication of Zimmerman's work to date- Shows the artist's work and process in full visual detail with 156 color plus 16 halftone illustrations- Features three essays by leading scholars, an in-depth interview with the artist, an exhibition history, artist chronology, and bibliography- Published on the occasion of the major exhibition Elyn Zimmerman: Wind, Water, Stone at Grounds for Sculpture, Hamilton, NJ (opening on August 27th, 2016 and remaining on view until January 7th, 2018)Elyn Zimmerman: Sculpture spans four decades of Zimmerman's career and provides an in-depth look at her public and private commissions, which can be found across three continents. Zimmerman began her career as an enigmatic and lonely figure: a painter and photographer who loved nothing better than to shut her studio door and work in isolation. At a certain point in her career, a shift in medium brought her out into the landscape to create large-scale site-specific sculptures inspired by the archaeological sites she visited in the 1970s. Zimmerman is among the small number of a distinguished group of artists and landscape architects who create art for both private and public spaces. Among her public commissions are a memorial fountain for the 1993 attack on the World Trade Center, New York; the sculpture garden at the Birmingham Museum of Art in Alabama; a fountain and seating area for the AT&T headquarters in Basking Ridge, NJ; the plaza design for the National Geographic Society headquarters in Washington, DC; a project for the 2008 Beijing Olympic Park and most recently, a park in Tribeca, New York City.


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- The most comprehensive and complete publication of Zimmerman's work to date- Shows the artist's work and process in full visual detail with 156 color plus 16 halftone illustrations- Features three essays by leading scholars, an in-depth interview with the artist, an exhibition history, artist chronology, and bibliography- Published on the occasion of the major exhibition - The most comprehensive and complete publication of Zimmerman's work to date- Shows the artist's work and process in full visual detail with 156 color plus 16 halftone illustrations- Features three essays by leading scholars, an in-depth interview with the artist, an exhibition history, artist chronology, and bibliography- Published on the occasion of the major exhibition Elyn Zimmerman: Wind, Water, Stone at Grounds for Sculpture, Hamilton, NJ (opening on August 27th, 2016 and remaining on view until January 7th, 2018)Elyn Zimmerman: Sculpture spans four decades of Zimmerman's career and provides an in-depth look at her public and private commissions, which can be found across three continents. Zimmerman began her career as an enigmatic and lonely figure: a painter and photographer who loved nothing better than to shut her studio door and work in isolation. At a certain point in her career, a shift in medium brought her out into the landscape to create large-scale site-specific sculptures inspired by the archaeological sites she visited in the 1970s. Zimmerman is among the small number of a distinguished group of artists and landscape architects who create art for both private and public spaces. Among her public commissions are a memorial fountain for the 1993 attack on the World Trade Center, New York; the sculpture garden at the Birmingham Museum of Art in Alabama; a fountain and seating area for the AT&T headquarters in Basking Ridge, NJ; the plaza design for the National Geographic Society headquarters in Washington, DC; a project for the 2008 Beijing Olympic Park and most recently, a park in Tribeca, New York City.

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