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National Board of Review Magazine, 1929-1930: Volumes 4-5 (Classic Reprint)

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Excerpt from National Board of Review Magazine, 1929-1930: Volumes 4-5 It gets its title from a book of John Reed's. It seems to have been intended for history, but anyone who accepts it for that is likely to be sadly confused and misled. Whoever it was who decided what could be told and what should be told, combined with the impossi bility of telling so much anyway in so f Excerpt from National Board of Review Magazine, 1929-1930: Volumes 4-5 It gets its title from a book of John Reed's. It seems to have been intended for history, but anyone who accepts it for that is likely to be sadly confused and misled. Whoever it was who decided what could be told and what should be told, combined with the impossi bility of telling so much anyway in so few thousand feet of film, is responsible for treat ing facts with -a legerdemain curiously high handed. The retroactive magic has even suc ceeded in deleting Trotsky from the triumph of the Soviets. But fortunately the quality of the picture makes the question of historical balance as unimportant as it is in reading The French Revolution. One reads The French Revolution for Carlyle - one should look at Ten Days for Eisenstein. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


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Excerpt from National Board of Review Magazine, 1929-1930: Volumes 4-5 It gets its title from a book of John Reed's. It seems to have been intended for history, but anyone who accepts it for that is likely to be sadly confused and misled. Whoever it was who decided what could be told and what should be told, combined with the impossi bility of telling so much anyway in so f Excerpt from National Board of Review Magazine, 1929-1930: Volumes 4-5 It gets its title from a book of John Reed's. It seems to have been intended for history, but anyone who accepts it for that is likely to be sadly confused and misled. Whoever it was who decided what could be told and what should be told, combined with the impossi bility of telling so much anyway in so few thousand feet of film, is responsible for treat ing facts with -a legerdemain curiously high handed. The retroactive magic has even suc ceeded in deleting Trotsky from the triumph of the Soviets. But fortunately the quality of the picture makes the question of historical balance as unimportant as it is in reading The French Revolution. One reads The French Revolution for Carlyle - one should look at Ten Days for Eisenstein. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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